In its simplest terms, modernist art purposefully departs from traditional art through utilization of innovative techniques and modes of expression. Modernist art’s ties to the industrial revolution are clearly traceable, and at the core of the form is a nearly limitless ability for artist’s to explore, challenge, and innovate. The Armory Show of 1913 in NYC blew the lid off the public’s perceptions of what was both possible and acceptable, and the rest is history.
John Atherton
Aged Form (1946)
Oil on canvas, 20" x 24"
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Isabel Bishop
Interlude (1952)
Oil and tempera on gesso masonite panel, 32" x 20"
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Byron Browne
On the Beach (1959)
Oil on canvas, 20" x 26"
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Paul Burlin
Composition (1952)
Oil on canvas, 37 1/2" x 36"
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Paul Burlin
Heads or Tails (1947)
Oil on canvas, 23" x 39"
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Clarence Holbrook Carter
Circus Scene (1930)
Oil on canvas, 30" x 25"
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Julio De Diego
Inevitable Day – Birth of the Atom (1948)
Oil on masonite, 30" x 48"
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Julio De Diego
Ceremonial Dancers (1948)
Tempera and oil on masonite, 48" x 30"
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Julio De Diego
Blueprint of the Future (1943)
Oil on masonite, 30" x 48"
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Julio De Diego
St. Atomic (1948)
Tempera and oil on masonite, 48" x 30"
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Julio De Deigo
The Magician (1948)
Tempera and oil on masonite, 48" x 36"
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Julio De Diego
Lords of the Sky (c.1960)
Oil on canvas, 30" x 24"
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Julio De Diego
Girl in Interior (1935)
Oil on masonite, 31" x 21"
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Julio De Diego
Tlaloc and the Tiger (1939)
Oil on panel, 16" x 12"
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Julio De Diego
Trojan Horse (1948)
Tempera and oil on masonite, 36" x 48"
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Phillip Evergood
Eat More Cranberries (c.1938)
Oil on masonite, 26" x 40"
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Robert Friemark
Photography (1963)
Oil on canvas, 32" x 36"
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Maurice Golubov
Rescue (c.1945)
Oil on panel, 14" x 17"
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Stefan Hirsch
New England – Portsmouth, NH (c.1927)
Oil on canvas, 10" x 10"
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Frederick Kann
Untitled (1931)
Oil on canvas, 15" x 22"
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Gyorgy Kepes
Afterglow (1963)
Oil and sand on canvas, 12" x 9"
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Wesley Lea
Ancient Revel (1945-1946)
Oil on canvas, 20" x 28"
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Henry Lee McFee
The Blue Compote (1930-1931)
Oil on canvas, 24" x 30"
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Henry Lee McFee
The White Pitcher (1915)
Oil on canvas, 20" x 16"
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Richard Merkin
Bulldog Drummond and the Great Coca-Cola Mystery (1965)
Mixed media on paper, 51" x 33"
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Robert Natkin
Field Mouse #1 (1967)
Oil on canvas, 89" x 78"
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Frederik Ottesen
Untitled
010
Encaustic on canvas, 28 1/2" x 36 1/4"
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Frederik Ottesen
Untitled
002
Encaustic on canvas, 29" x 36"
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Frederik Ottesen
Untitled
001
Encaustic on canvas, 26" x 32"
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Larry Poons
Rum Boat (1983)
Acrylic on canvas, 77" x 86 1/2"
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Gregorio Prestopino
The Happy Farmer (c.1935)
Oil on canvas, 26" x 38"
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Ralph Rosenborg
Subjective Farm Landscape (1940)
Oil on canvas, 24" x 30"
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Ralph Rosenborg
Full Moon (1941)
Oil on canvas, 17" x 21"
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Hugo Scheiber
Untitled
Gouache on paper, 11" x 8"
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William Schwartz
A Song Without Words (1927)
Oil on canvas, 16" x 20"
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Charles Sheeler
Abstraction (1948)
Tempera on paper, 5" x 7"
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Joseph Solman
ASPCA: Street Near Bellevue (1939)
Oil on canvas, 25" x 34"
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Jay Van Everen
Synchromist Abstraction (c.1921)
Watercolor and ink on paper, 6" x 7 3/4"
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Vaclav Vytlacil
City Scene with Faces (1932)
Casein tempera on canvas, 20" x 24"
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Vaclav Vytlacil
Still Life (1946)
Casein tempera on paper, 9" x 11 1/2"
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Vaclav Vytlacil
Untitled Abstraction (1938)
Casein tempera on board, 18" x 24"
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Vaclav Vytlacil
City Harbor, Albany (1931)
Oil on canvas, 20" x 16"
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